 |
|
|
|
Release Info
Titles Joe R. Lansdale's By Bizarre Hands Alan Moore's Hypothetical Lizard Steven Grant's My Flesh is Cool Joe R. Lansdale's The Drive-In Warren Ellis' Strange Killings: Strong Medicine Alan Moore's Writing for Comics Alan Moore's Another Suburban Romance Joe R. Lansdale and Tim Truman's Dead Folks Warren Ellis' Strange Killings Garth Ennis and John McCrea's Dicks Fantastic Visions: The Art of Matt Busch
|
Steven GrantPart of the mid-70's CPL fanzine scene that included the likes of John Byrne, Bob Layton, and Roger Stern among others, Steven Grant entered the field professionally around 1978 with work for the Warren Magazines and Marvel, and has since become one of comics' best writers with an impressive range of work from a variety of publishers. That range includes titles such as Whisper (Capital/First), Badlands (Dark Horse), Grifter (Wildstorm), Batman: Legends of the Dark Knight (DC), and X-Man (Marvel) among others. Grant's collaboration with artist Mike Zeck on the original Punisher mini-series became a pivotal work for Marvel and was an important part of the mid-80's comics renaissance which included works such as Miller's Dark Knight, Moore and Gibbons' Watchmen, and Grell's Green Arrow: The Longbow Hunters. With Avatar Press, Grant has created and written the crime/horror comic saga Mortal Souls, is contributing the sequential adaptation on Frank Miller's Robocop, and has another upcoming project called My Flesh is Cool beginning in December 2003. |
Creators Avatar
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Archives
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
If you've ever picked up a book on writing screenplays, there are rules. Hollywood loves rules. Such-and-such must be introduced here, this has to happen by such-and-such a page. This type of character must be handled in this specific way. This much space on the page equals that much time on screen. There was a time when these things were loose guidelines, rules of thumb. That was back before bankers took over Hollywood, and decided as much as possible should be cut and dried.
|
|
